Corpse Bride Film Review

Jessie Buckley, Maggie Gyllenhaal and Bride

‘The Bride!’ Review: Jessie Buckley and Christian Bale Are Magnetic Monsters in Maggie Gyllenhaal’s Lumbering Punk Horror Trip

It’s a scrappy punk feminist tragicomedy of l’amour fou, a renegade take-off on the “Frankenstein” myth.

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The Bride! review – Jessie Buckley and Maggie Gyllenhaal’s punky revival isn’t as feminist as it thinks it is

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‘The Bride!’ Review: Jessie Buckley and Christian Bale Get Their Freak on in Maggie Gyllenhaal’s Bludgeoning Feminist Frankenstein Spin

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Gyllenhaal, Buckley have questions for ‘The Bride!’

It’s been a very good year for Mary Shelley’s immortal Frankenstein, what with Guillermo del Toro’s multi-Oscar nominated film version a critical and popular hit.

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The Bride! Review: Jessie Buckley & Christian Bale Frankenstein Movie Is Enchanting

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‘The Bride!’ Rotten Tomatoes Reviews: Critics Split On Monster Movie Redux

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The Bride! Review: Maggie Gyllenhaal Stitched Together The Most Fun, Feral And Fantastic Frankenstein Movie Yet

If they had, they likely wouldn’t have known how to handle themselves around the whirlwind of Jessie Buckley’s constantly in-motion character, who adopts several different personas throughout the movi...

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Maggie Gyllenhaal's 'The Bride!' is out this Friday: Everything to know about the gothic romance set in 1930s Chicago

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‘The Bride!’ review: Jessie Buckley’s latest is one of the worst movies I’ve seen in this job

22h

Movie Review: Maggie Gyllenhaal’s ‘The Bride!’ is a Frankenstein riff with a pulse

Just months after Guillermo del Toro presented his lavish “Frankenstein,” Gyllenhaal, in her follow-up to her excellent 2021 directorial debut, “The Lost Daughter,” has set her sights on reimagining 1935’s “The Bride of Frankenstein.” The sequel starred Boris Karloff and, in the dual role of the Bride and Mary Shelley, Elsa Lanchester.

19h

‘The Bride!’ Is a Monster Mash-Up of Sex, Violence, Resistance, and Ideas. Many, Many Ideas

Maggie Gyllenhaal's radical take on the Bride of Frankenstein story takes a middle finger to the patriarchy. Plus there are musical numbers!

AwardsWatch

‘The Bride!’ Review: Maggie Gyllenhaal Goes For Baroque in Messy, Misguided Post-Modern Monster Movie [D]

When the opening frames of The Bride! displays introductory text establishing that Mary Shelley wrote her classic Gothic tragedy, Frankenstein, on a dare, it feels like needless table-setting.